Showing posts with label The Madonna of Conflagration. Show all posts
Showing posts with label The Madonna of Conflagration. Show all posts

Thursday, September 17, 2009

Significant Things with the Madonna of Conflagration

“I’m no longer interested in significant things, okay?”

I never know how to respond to the Madonna of Conflagration when she says something like this. There’s usually an edge in her voice, a light in her eye and a hand on her hip. A Momentous Decision Has Been Reached and It Is Now Time to Talk About It.

“Um, how are we defining significant things here?”

“Anything that isn’t, like, minutiae. Matters of life and death. Matters of import. Matters of great moment. That stuff. I am no longer paying attention to it. From now on, I am going to sweat the hell out of the small stuff. I am going to take care of the little things and let the big things take care of themselves. Actually, the big things can do whatever they want. The big things can get fat and start smoking again for all I care. They no longer exist for me. I'm totally through with significance.”

She stands and starts pacing up and down the sidewalk. The very first of the autumn leaves are falling and a light wind is blowing them around her feet. There aren't many other people around, as it's one of the first colder days of the season and most everybody else has rediscovered how much they hate the cold. Even the traffic going by on Rawson Avenue seems slower and lighter, squeezed down by a bridge construction project going on a few blocks away. They're racing to finish before the first snow. They're not going to make it. I find that comforting for some reason, perhaps because poor public works planning is one of the few constants in this world.

The Madonna of Conflagration loves the cold. While the season itself often brings her down emotionally, the weather invigorates her mentally and physically. For most of October she's a blend of moping and extravagant gesticulation, hopeless sighing and vigorous pacing. Things usually reach equilibrium by the end of November, but these early weeks are often quite trying.

“Maybe I'll start collecting something,” she says. “I bet you can get really mired in the details if you collect something. That's pretty much, like, the definition of being a collector. There's rituals and conventions and message boards. Filing and labeling and organizing. All that shit.”

“Sounds like a clerical job. Are you looking for a hobby or are you thinking about temping?”

There's nothing quite like the thrill of a beautiful woman giving you the finger. This particular finger goes flying by as her pacing has intensified.

“This is bigger than a hobby, motherfucker. This is a philosophical thing. This is me readjusting how I interact with the world. It is heavy heavy business, is what I'm saying."

I nod, but her pacing has carried her too far and too fast to see it, sending her up the block and away from our bench. I watch her almost vanish from sight, but she abruptly swivels around and comes marching back benchward.

I’m going to collect antique bottles!" she declares. "I’m going to get really into collecting them. I’m going to have price guides, and a tool box full of instruments specially designed for antique bottle cleaning, and solvents that have been approved for use on old glass. I'll subscribe to a quarterly magazine about antique glass, and at least two glass discussion news groups. Maybe more! I'll go to antique stores and flea markets. Every weekend! After a while --and sooner than you would think-- I'll be able to identify and describe a bottle just from a little fragment of glass.”

“Like an archaeologist.”

Another finger goes whizzing by. “And…and….and…I’ll specialize. I'll be, like, the country's foremost expert on one particular kind of bottle. Bottles from the northeast! From dairies! If someone is making a movie about an old eastern dairy, they'll totally consult with me to get the bottles right. But I won't know all the bottles. I'll specialize in one specific kind of dairy bottle. And not milk bottles either!”

“Did they bottle anything else?”

“Butter bottles. I'll be the country's, no the world's go to source for the history of butter bottles of northeastern dairies. From 1919 to 1925.”

“Pretty sure butter didn't come in bottles.”

“It didn't?”

“Little crocks, I think. I'm almost positive it came in little crocks.”

She suddenly stops pacing. I realize the cold breeze I had been enjoying was entirely generated by her. The weather almost seems hot without it. She flumps back on to the bench.

“That’s sorta taken the wind out of my sails,” she says. “I’ve got no interest in collecting crocks.”

“Are you sure? It would be pretty, uh, minutiae-y? Minute?”

She frowns.

“No, it’s like, I dunno, trying too hard? I want to get involved with organic minutiae. Something small and real like, trainspotting or botany or...” she looks around and her eyes light on my shoes. “Or people's habits. Their weird little things. I could investigate that. Like that fucked up thing you do with your shoe laces.”

“Huh?”

“They don’t cross. Why don’t they cross?”

“These are dress shoes.”

“And?”

“Proper dress shoes are straight-laced.”

She stares at me.

“It’s, you know, traditional. It’s where the term ‘straight-laced’ comes from. It...presents a neater appearance than, uh, crossing the laces.”

She continues staring at me. She leans in, keeping eye contact, further and further, until our eyelashes nearly touch. She has found some minutiae clinging to my soul and is giving it a good scrutinizing. In the scales of the universe, the Madonna of Conflagration's desire to study people's habits is sitting in one pan. In the other is the reality of things like straight-laced shoes. She sees that it's only the tip of the iceberg, hinting at a great frozen mass of banality beneath.

“My god,” she says, “I think you’ve cured me.” She stands up, gesturing for me to follow. “C’mon, c’mon, let’s go find something significant to do. Right now.”

I follow (of course), idly wondering what significant thing we'll find to do, and how many more weeks life will be like this, and whether I really want it to stop.

Wednesday, July 30, 2008

Horrible Popcorn With the Madonna of Conflagration

I open the door to a huge black bag, encircled by the arms of the Madonna of Conflagration.

"This is..."

"Fifteen pounds of caramel corn."

"In a trash bag."

"Technically it's called a 'yard bag', if that makes you feel any better."

"It doesn't. Do you know what outgassing is?"

"Yes. It's something that assholes spend far too much time worrying about when they could be eating caramel corn. Now are we going to the park or what?"

Of course we go. I can't say no to her. I don't want to say no to her. It's usually to my advantage to say yes to her (eventually, anyway). Though maybe not this particular time. She's been in a mood for weeks now. The year is drifting into autumn, and the Madonna of Conflagration always takes the end of summer hard, and has for as long as I've known her. When we've settled in at the park, an uncomfortable bench beneath us, the huge black bag of sickly sweet popcorn shared on our laps, I ask her why this is.

"God man, I don't know. Maybe it's hormonal. Maybe it's something to do with astrology. Maybe I don't like the cold. Maybe I hate football. Maybe I don't like school buses. Maybe it's that Seasonal Affective Disorder thing. Maybe I'm clumsy and I don't look forward to icy sidewalks. Maybe the smell of burning leaves sets off my allergies. Maybe I hate that fucking parade with the balloons, even though I end up watching the whole fucking thing, usually while getting drunk alone."

"I've offered to watch it with you."

"It's important that I'm alone for that one. It's like a ritual."

"Fine."

"Aw, come on-"

"No, seriously, it's fine. It's fine. Go on."

I shovel handfuls of the terrible popcorn into my mouth while I wait for her to continue.

"Look, forget about that. This thing, this summer thing, I don't know okay? It's just weather right? I'm an intelligent person. I've made some tragically stupid moves in my life, but I'm not, like, inherently stupid right?"

"Of course not."

"Right. I just...Shit, I just, I have a lot of regrets okay? And mostly, for the most part, right, that's fine and everything because everybody does. Everybody. I mean you do, right?"

"Some. Sure."

"You've got caramel all over your face by the way. Where did you learn to eat? Could we bring up the tone here a little, please?" Like a low budget magician she pulls a wet nap out of the air. She hands me the unopened packet then looks away, as if I were about to do something terribly private.

"So yeah, most of the time it's fine. And sometimes it's not. And that's how it goes. And around this time...it's bad."

I'm shocked to see a few tears roll down her cheek, and even more shocked when they stop almost immediately. She still isn't looking at me.

"It's really really bad. And that's all I want to say and all I want you to know. Okay?"

"I...yeah, okay."

"Cool."

"Right. I'm lemony fresh now by the way."

"Oh thank god." She looks back at me. "Yeah, very presentable." She looks away again.

We sit there for a while, saying nothing as the sun goes down (so early now), and the dusk comes in. I have no idea if this is what she wanted or not, or if I screwed up. Eventually she stands up, slinging the bag over her shoulder.

"You look like Santa Claus."

She smiles.

"Come on. I'll buy you a drink and we'll talk about what the hell I'm gonna do with the rest of this popcorn."

I stand up. On a whim I link arms with her. It's some kind of statement I suppose, though I couldn't tell you precisely what it means. Anyway, she accepts it gladly, and we walk out of the park, in step and looking downright jaunty. Something has readjusted itself, some equilibrium has been regained. Neither of us knows what it is precisely, but we take a great deal of comfort from it. There's a lot of things we share that could be described that way.

I poke the bag with my free hand.

"Where did you get that crap anyway?"

She shakes her head and puts a finger to her lips.

"It's a secret."

Sunday, July 6, 2008

Life on Earth With The Madonna of Conflagration

The phone call was brief.

"I need you to come down here, like right now. Five minutes ago even."

"Where's down here?"

"The roof of the Bentley Building. Just hurry. I promise you're going to totally shit yourself."

You can usually trust The Madonna of Conflagration when she makes this kind of call. We originally met when she ran into the bar I was having a nervous breakdown in and asked if anybody wanted to see a duck being rescued from a barrel of molasses. I was the only person to follow her, and to this day I don't know if it's because I was worried about the duck, thought the whole thing sounded hilarious, or was intrigued at the prospect of seeing a real live barrel marked MOLASSES.

Another time I was at work. She walked in, wearing a trench coat and shades, sidled up to my desk and leaned over, whispering:

"You have got to get out of this morgue and follow me down to the park, because you will totally, totally not believe this shit that I have found."

Then she tried to glide out like the femme fatale in a spy movie, but it was basically her usual full on forward charge, just on tiptoe this time. Still, the whole thing was intriguing, so I cleared the decks as quickly as possible and went downtown. I found her by one of the huge half-dead trees that dot the city park.

"This hole in the trunk here? Stick your head in it, and look down. No, do not give me 'Dubious Look Number 7', do not ask me any questions, just do it."

So I did, and it was indeed totally worth it. The hole was about three feet up the trunk of the tree. Said trunk was completely filled with macadamia nuts up to the level of the hole. They were in the shell, which I had never seen so I had to ask her what they were.

"Do you have any idea how these got here?" I asked.

"No, but I have a theory."

She looked around.

"Hawaiian squirrels. Gotta be Hawaiian squirrels. Like,they've come back to the mainland, right? Probably floated back over in discarded SPAM cans. And they've brought their possessions with them."

I e-mailed her an article later that day that said there are no squirrels in Hawaii. She didn't talk to me for a month. Even after things defrosted, I got the impression that I was not to bring up the tree and its strange cargo ever again.

So while it was six in the morning on a Sunday, I figured the odds were pretty good that she had something worth seeing. I threw on some clothes, staggered out into the street, somehow found the subway and headed downtown. I arrived at the Bentley Building ten minutes later. She was standing outside, doing everything she could to keep from jumping up and down and failing miserably. When she saw me she grabbed my hand and started dragging me through the revolving doors to the lobby.

"Come on come on come on come on come come on GOD you are sooo slow..."

She hurled me into the nearest upward bound elevator, jumped in after me, and literally punched the button for the top floor.

"This better be good."

"This is better than good," she said, while shaking her smarting hand. "It's like, better than better than good. I don't know if you can even call this 'the best thing ever.' That would insult it."

"That's pretty good."

"Dude, are you even listening to me? Shit, I think I messed up my hand. Anyway, you will remember this morning for the rest of your life, and if you don't get excited, like, immediately, there's something wrong with you. Okay?"

So I spent the rest of the elevator ride trying to get myself excited, while she nursed her hand and watched the number lights climb, counting off the floors under her breath. We were both fairly ramped up by the time we reached the top floor. When the doors opened she shot out and galloped towards the stairs for the roof garden. I followed, and we emerged into a misty morning, in a little patch of pastoral heaven thirty floors above the city. She pulled me down a raked path, her head swinging from left to right. She stopped abruptly when she found what she was looking for and pointed down at a patch of petunias.

"There there there look look look!"

I squatted down, trying to figure out what the hell I was looking for. It took a minute before my eyes found about a dozen snails, mingling with the stems. They were in a heap but paired off within it, each couple wrapping their necks around each other while strange tendrils flowed from snail to snail.

"No way."

I looked up at the Madonna of Conflagration. She had a radiant grin on her face.

"Yup." She leaned down to whisper in my ear.

"They're fucking."


Bonus- Here is a short video of snails fucking.

Saturday, June 28, 2008

Stay Down Here Where You Belong

It's what you'd expect from a sepia toned depiction of hell, with indistinct edges and a general blurriness that grows exponentially as the image recedes into the distance. The photo appears to have been taken out in a flat bit of desert somewhere. Stylized cardboard fires of various sizes are perched all over the place. Unconvincing demons wearing flat masks and carrying comically over-sized pitchforks are captured in all sorts of activities. One is pushing an old man into one of the "fires". Another is sharpening the tines of his pitchfork on a grinding wheel. A demon pianist is playing an upright. A demon bartender is serving cocktails from behind a mahogany bar.

I turn to the Madonna of Conflagration. "They dragged a piano and a full sized bar out to the desert? Who the fuck took this picture, Erich von Stroheim?"

"I Know! Isn't it like, the most perfectly ridiculous thing you've ever seen?"

I continue studying the photo. More demons are ostensibly torturing a bevy of scantily clad maidens. This takes up most of the foreground, and is, let's face it, the main reason for the picture's existence. I point out that the "torturing" would be better described as "cavorting" or "frolicking". She makes sure I notice that some of the poses are downright porny.

"According to the guy, that's how you can tell it's from 1916 or around about there. We were between backlashes or something. He says this one's actually super tame for the time. Like, that's why he likes it I think. He doesn't want something too smutty, but he doesn't want an absolute Disney kind of deal either."

"Which one are you going to be?"

She points to a flexible young lady with a winning smile and presumably infinite patience. A heavyset demon is holding her out at arms length towards the camera, his meaty hands clasping her hips. Her back is to the viewer, but she's arched over enough that her whole face is visible (albeit upside down). She's a dead ringer for the Madonna of Conflagration, if you put about a pound of kohl around each eye.

"Wow, he must have been glad to find you."

"You know what? He actually cried. Just a little but like, real tears, okay? It turns out that he wants to do this re-creation as a present for his grandfather. Granddad's totally ancient, and his ninetieth birthday is coming up, and the guy wants to do something special. The original of this photo is like, a family heirloom."

"Passed from sticky hand to sticky hand, and lovingly stored in the sock drawer of the master of the house?"

"Oh don't. I think it's kind of sweet. Well, sweet-ish. Anyway, it's damn good money and all I have to do is stand still for twenty minutes or however long it takes."

I go back to the picture. Towards the back, presiding over the whole thing, sits the devil himself. His throne sits on top of a pile of plaster skulls. Unlike the demons, there's no mask on this guy. They went the makeup route, giving him crazy painted on eyebrows that nearly run in a circle around his face, wavy horns that go on for a mile, and a pointy false beard that you could use to stab someone. Two figures lie at the devil's feet. One is a buxom maiden, who clutches his knee with one hand and holds what could be a pomegranate in the other. The other figure is actually being used as a footrest by the devil. Based on the pointy helmet and huge white whiskers I'm guessing this is one of the more hated political figures of the day.

"The devil, flanked by Persephone and Kaiser Wilhelm? Smut was so much more literary and cosmopolitan back then."

"Yeah, I knew you'd dig it. Anyway, I gotta split. Or uh, whatever they woulda said back then. 23 skidoo or something?"

"Works for me. 23 skidoo backatcha."

She takes one last look at the photo before putting it back in her bag and heading out. But she pauses in the doorway, bends her knees and leans back until she's in the same pose as her doppleganger (minus the support of a meaty demon), and smiles. Then she snaps up straight and walks out into the night.


This piece was partially inspired by Henry Burr's recording of the Irving Berlin song "Stay Down Here Where You Belong".

Friday, June 20, 2008

A Drink With The Madonna of Conflagration


The other day I was talking to the Madonna of Conflagration, and I could tell something was on her mind. Normally our conversations are great: she gives me the latest about her various fire obsessed clients, and I laugh until my lungs hurt. I can't begin to guess how many hours we've wasted arguing about whether her clients should be called pyrophilics or pyromaniacs. But yesterday she was subdued. So we sat there in silence, until she said:

"You know, I liked you a lot better when you were into William Blake."

I pointed out that this was years ago.

"Yeah, I know, but it's just like, you could be a lot more fun then, you know? I mean, you were also an incredible pain too, but the kind of pain it was like, interesting to be around. Those poems you were writing, the ones 'in the style of Blake' but with all that militant atheist shit? Those were really trying. Incredibly, seriously trying. And that time you got a life-mask made because Blake did it, and the guy you went to didn't know what he was doing and ended up ripping out your eyebrows? You were pretty damn hard to look at while they were growing back in. I kept offering to pencil some on for you, and you were all like 'I am a mystical poet, not your fucking Barbie Make Me Pretty'. And then you went on for months about how Lambeth was this incredible place and must have all this great energy, and you could be really spiritual there, and you were totally going to move there, and become a printer and learn to draw and all that shit? And then you found out it was in the middle of London or something and not some shitty little village like you thought? And you kept trying to have visions but, like, you couldn't, because you don't believe in visions, so you started imagining what having visions might be like and you were just wrong, like totally totally wrong? And you kept going out with these women named Catherine and they were all terrible bitches, and you asked one of them 'Do you pity me?' and she threw a drink in your face? And uh..."

She trailed off.

"You were just a lot more fun then is all."

I didn't see her for a few weeks. I think we were avoiding each other. But one day I came home to find a very nice edition of Byron sitting on the doorstep, along with a note that said:

These would make you hilarious -MC XO

Friday, June 6, 2008

A Full Denial


I'd like to address the unfounded rumors I've been hearing everywhere about my interest in fire. Now, I fully admit that I like a nice campfire and am entranced by a backyard fire pit. I love a candlelit dinner, a barbecue lunch, and a breakfast buffet served out of chafing dishes. When I think of holidays, I think of jack-o'-lanterns glowing in the night, their features flickering in and out. But there's nothing unhealthy about any of that: we all love these things and the fire that makes them possible. If I might spend a little more time appreciating them than you, it doesn't indicate a problem. I should be able to linger over thoughts of fire without it being misinterpreted as some sort of religious mania (or worse). It hardly means that I'm enslaved to the dark burning heart of the searing flame god, he who licks across the world leaving ash kisses on its blistered flesh. It's not like I wander the warehouse district late at night with a sacramental can of gasoline, lighting up the darkness with impromptu altars. At no time have I been known to sit with a brand new Bic lighter, flicking it on and off until all the fuel is used up, chanting "holy, holy, holy" all the while. Finally, I have never, ever, paid a prostitute an exorbitant amount of money to dress in a red and orange outfit of my own design and refer to herself as "The Madonna of Conflagration" while she sticks lit matches between my toes.

Honestly, I don't know how these things get started.